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White House Ghosts: Presidents and Their Speechwriters

White House Ghosts: Presidents and Their Speechwriters
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ISBN13: 9780743291705
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In White House Ghosts, veteran Washington reporter Robert Schlesinger opens a fresh and revealing window on the modern presidency from FDR to George W. Bush. This is the first book to examine a crucial and often hidden role played by the men and women who help presidents find the words they hope will define their places in history.

Drawing on scores of interviews with White House scribes and on extensive archival research, Schlesinger weaves intimate, amusing, compelling stories that provide surprising insights into the personalities, quirks, egos, ambitions, and humor of these presidents as well as how well or not they understood the bully pulpit.

White House Ghosts traces the evolution of the presidential speechwriter's job from Raymond Moley under FDR through such luminaries as Ted Sorensen and Arthur Schlesinger, Jr., under JFK, Jack Valenti and Richard Goodwin under LBJ, William Safire and Pat Buchanan under Nixon, Hendrik Hertzberg and James Fallows under Carter, and Peggy Noonan under Reagan, to the "Troika" of Michael Gerson, John McConnell, and Matthew Scully under George W. Bush.

White House Ghosts tells the fascinating inside stories behind some of the most iconic presidential phrases: the first inaugural of FDR ("the only thing we have to fear is fear itself ") and JFK ("ask not what your country can do for you -- ask what you can do for your country"), Richard Nixon's "I am not a crook" and Ronald Reagan's "tear down this wall" speeches, Bill Clinton's ending "the era of big government" State of the Union, and George W. Bush's post-9/11 declaration that "whether we bring our enemies to justice or bring justice to our enemies, justice will be done" -- and dozens of other noteworthy speeches. The book also addresses crucial questions surrounding the complex relationship between speechwriter and speechgiver, such as who actually crafted the most memorable phrases, who deserves credit for them, and who has claimed it.

Schlesinger tells the story of the modern American presidency through this unique prism -- how our chief executives developed their very different rhetorical styles and how well they grasped the rewards of reaching out to the country. White House Ghosts is dramatic, funny, gripping, surprising, serious -- and always entertaining.

 

What Customers Say About White House Ghosts: Presidents and Their Speechwriters:

That's not the case. This book has interesting insights on the presidential speechwriting process -- who knew Truman's speeches for the 1948 whistlestop train tour were FLOWN out from Washington. One would expect this book to be well written, since it's about writers. The text seems choppy and jumps along with rough transitions between surprisingly dull prose. I wonder if the manuscript was longer and the editors took a machete to it.

In addition to the insiteful writing on White House ghosts, I was struck by the opportunity to understand more about the Presidents being served.

Active participation made accurate articulation likely." (p.149)* In the Nixon White House Kissinger put the speechwriter "through so many drafts with short deadlines and with such insistence on his own organization and language" that the writer said "I'm sick of being Henry's stenographer." (p.206)* Regan's speech writer Josh Gilder observed that "writing the speech was a small part of (the) job". Each administration is given a chapter. Bush in 2001. Done that. 82)* Eisenhower advising Harlow not to circulate a speech too widely for review. 408) The writers would boldface the text they needed him to say.Been there.

The games they played. Sometimes an Inaugural Address; sometimes the State of the Union address; or a speech on foreign or domestic policy; once a resignation speech.What's fascinating is the unique relationship each President had with his speech writers and other close advisers. The office politics. The late nights. Schlesinger describes the men and women who acted as speech writers to every President from FDR in 1932 to George W. In others, the speech writers were emasculated scribes left out in the cold.What's absolutely fascinating for anyone who has worked in communications in large commercial organizations (as I have) is how eerily familiar many of the trials and tribulations of the role supporting a CEO is to that of the White House Ghosts. Here's some which had a familiar ring:* Eisenhower's speech writer Bryce Harlow only agreed to take on the role "on the condition that he get to spend a great deal of time around the president so as to best understand how Ike liked to express himself, what his concerns were, how to capture the man's voice." (p.

Ike himself was a speech writer (for MacArthur in the Philippines) and is quoted as saying ".one thing I know: If you put ten people to work on a speech, they'll kill anything in it that has any character." (p.85)* JFK used speechwriters to counter the "diplomatic blandness" the State Department bureaucracy produced. Echoing the same tin ear that many high-tech Product Marketing departments have when asked to submit speaking points for a CEO speech, the recipe the State Department used "was evidently to take a handful of cliches.repeat at five minute intervals.stir in the dough of the passive voice.and garnish with self-serving rhetoric." (p.131)* Speech writers in the Kennedy White House influenced strategy and policy "The two roles - writer and policymaker - were symbiotic. The best were intimately involved. Each President's relationship with his speech writers is outlined with an analysis of one or more key speeches. "Navigating a draft through the rounds of edits required political skills, negotiations, and compromises." (p.343)* In the Clinton White House the speechwriters claimed that the president only stuck to the written text about half the time.

Who `owned' the speech and at what point and to what extent the President gave direction. Sorensen and Kennedy were so close that someone observed "When Jack is wounded, Ted bleeds." Carter kept speech writers at arms-length and "didn't much like the idea of using them, ever." It showed.In some administrations, White House staffers would rail against the power of a speech writer to make policy. (p. If you'd like to know what the job of a speech writer is all about, read this book.

A book of intriguing insights - a very well written and very readable work, providing glimpses and insights behind the words of some of the world's great and not so great [American] leaders. Compelling reading.

Active participation made accurate articulation likely." (p.149) * In the Nixon White House Kissinger put the speechwriter "through so many drafts with short deadlines and with such insistence on his own organization and language" that the writer said "I'm sick of being Henry's stenographer." (p.206) * Regan's speech writer Josh Gilder observed that "writing the speech was a small part of (the) job". Bush in 2001. "Navigating a draft through the rounds of edits required political skills, negotiations, and compromises." (p.343) * In the Clinton White House the speechwriters claimed that the president only stuck to the written text about half the time. Each administration is given a chapter. Ike himself was a speech writer (for MacArthur in the Philippines) and is quoted as saying ".one thing I know: If you put ten people to work on a speech, they'll kill anything in it that has any character." (p.85) * JFK used speechwriters to counter the "diplomatic blandness" the State Department bureaucracy produced. The games they played. In others, the speech writers were emasculated scribes left out in the cold.What's absolutely fascinating for anyone who has worked in communications in large commercial organizations (as I have) is how eerily familiar many of the trials and tribulations of the role supporting a CEO is to that of the White House Ghosts.

The office politics. Sometimes an Inaugural Address; sometimes the State of the Union address; or a speech on foreign or domestic policy; once a resignation speech.What's fascinating is the unique relationship each President had with his speech writers and other close advisers. The late nights. Done that.

Schlesinger describes the men and women who acted as speech writers to every President from FDR in 1932 to George W. Here's some which had a familiar ring: * Eisenhower's speech writer Bryce Harlow only agreed to take on the role "on the condition that he get to spend a great deal of time around the president so as to best understand how Ike liked to express himself, what his concerns were, how to capture the man's voice." (p. 82) * Eisenhower advising Harlow not to circulate a speech too widely for review. Echoing the same tin ear that many high-tech Product Marketing departments have when asked to submit speaking points for a CEO speech, the recipe the State Department used "was evidently to take a handful of cliches.repeat at five minute intervals.stir in the dough of the passive voice.and garnish with self-serving rhetoric." (p.131) * Speech writers in the Kennedy White House influenced strategy and policy "The two roles - writer and policymaker - were symbiotic. The best were intimately involved. Been there. Each President's relationship with his speech writers is outlined with an analysis of one or more key speeches. (p.

Who `owned' the speech and at what point and to what extent the President gave direction. Sorensen and Kennedy were so close that someone observed "When Jack is wounded, Ted bleeds." Carter kept speech writers at arms-length and "didn't much like the idea of using them, ever." It showed.In some administrations, White House staffers would rail against the power of a speech writer to make policy. 408) The writers would boldface the text they needed him to say. If you'd like to know what the job of a speech writer is all about, rad this book.

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